“Angus”, “Turbo Lax”, “Frau Mai”, “Collection Point” - all these groups, completely different in their focus, style and approaches, have one thing in common: each of them played, or played by students of Dmitry Orujov. One of the most skilled Togliatti drummers, known for his participation in projects such as Reform, BN, Bereshi and a number of others, has been training personnel for a rock venue for 20 years. At the same time, it is even difficult to answer the question of how many total students he had. The same can be said about the number of groups in which the "chicks of the Orudzh nest" showed themselves.

Being capable by potential, technical equipment, manner of sound production to play in any, the most advanced Russian team, Dima preferred what was always drawn to - classes with students. And this became the main business of his life. Having equipped the studio in one of the garage complexes, Orudzhov gradually and consistently brought it to mind, creating all possible conditions for high-quality work with drummers. Moreover, according to Dima, it does not really matter with what skill set a person came to him, the main thing is that there is a desire to master the installation. Of course, no one is trying to put technology to a person if he doesn’t need it, but if the musician trusts Dmitry and is ready to listen, then his own concept worked out by Orudzhov is included in the case. The main thing in it is to teach the visitor not to drum, but to play music.

Jokingly calling his studio “Di Or”, which in the “translation” means only Dmitry Orudzhov, its creator is now mastering new directions for himself. So, realizing that life does not stand still, having mastered the appropriate computer programs, Orudzhov began recording live drums, being sure that not a single sample could replace their sound. Moreover, he began to practice recordings of live teams, cautiously calling the resulting “demo”, for he was aware that he did not have the conditions that are possible in voluminous and sophisticated studios. However, those tracks that PROCKOS experts were able to hear, at least today deserve attention.

Completely immersed in studio-drum affairs, Orudzhov today rejects all offers from those wishing to “fit” him into a particular project, does not appear at concerts and in clubs. And maybe, until something just happened that would take Dima seriously and make him, if only temporarily, “come to the surface”? The Togliatti site would definitely benefit from this.